A member only special tour of the Jewish Museum's premier exhibition for 2021 - MIRKA.
David Brand is writing a social history of Marli Place, the stately terrace that has graced St Kilda’s Esplanade for over 160 years. For almost a quarter of that time, David has made it his home.
The book, by Jenny O’Donnell and with a forward by the Archbishop of Melbourne, reveals the story behind each of the church's many memorial stained glass windows, which celebrate the lives of prominent and less prominent citizens of early Melbourne. It will be launched by Dr Andrew Lemon OAM and copies will be available for purschase on the day. We welcome everyone to this important event.
Sunday 22 March, 3:00pm
Christ Church St Kilda - 14 Acland Street
To celebrate our 50th anniversary, in 2020, the St Kilda Historical Society held a short story competition. Entries closed on 7 August 2020. Thank you for your stories - all 134 of them. The winners are:
Sunday, 18 August 2019
Walking tour - starts Los Angeles Court, corner Brighton Road, St Kilda
Enjoy this little-known 'cul de sac’ and St Kilda corner with its unusual Art Deco and Spanish Mission residences and lanes on the former famed nursery estate of George Brunning (1830-1893), which ran from Albion Street to Maryville Street.
Sunday, 11 August 2019
St Kilda Army and Navy Club
88 Acland Street St Kilda
Sue Ingleton's recently published book is an 'imagined history' about the lives and loves of two English women, in love and leaving their families, immigrated to Melbourne in 1875. It is an 'imagined history' because so little documentation about these women has survived.
There is the St Kilda of sunsets, bars and live music venues and then there is the St Kilda of perennial planning disputes. St Kilda residents concerned about what they consider to be insensitive development in their suburb have been signing petitions for years: to save the Mandalay apartments and the Esplanade Hotel . . . Along the way they have helped Melburnians appreciate that the way their city is now - with its imperfections, its mix of cultures and even its seediness - is worth preserving; that when a commercial investment wipes away the grittiness of the city’s texture it also diminishes the experience of city life . . . For years the battle in St Kilda has been about more than preserving the look of the suburb. It has also been about honouring its spirit. And where is the planning regulation that governs that? (The Age editorial, 17 July 2004)
Becton launched its Esplanade apartments in the early months of 2004, at about the same time that Kate Shaw’s academic analysis Planning for the Espy: policies, politics, deals was published in the Planning News, February 2004.
On 29 April 2004, The Age’s Helen Westerman reported the developer’s claim that its ‘off the plan sales’ were strong (Developer reaps the spoils of Espy fight, page 7). “The 98 apartments range from $500,000 to $6 million for the penthouse,” Ms Westerman wrote.
A few weeks later, the real estate sections of both metropolitan dailies wrote features about the proposed apartments.
The Herald Sun called its story Heartbreak Hotel, Mike Bruce, 22 May 2004.
The Age called it The battle of St Kilda, Tracey Kift, 23 May 2004.
The Espy’s Gershwin Room (the only rear wing of the grand hotel to survive the demolition that would make way for the 10-storey apartment block) reopened on 21 July 2004. Revamped, yet its character maintained, the Gershwin Room became the home of the new live music and trivia quiz show, RocKwiz, broadcast on SBS.
The Espy Kitchen and bottle shop were relocated to the front part of the hotel, when their respective wings/buildings were demolished. These areas, together with a refurbished basement, opened on 13 July 2005, just in time to celebrate 100 years of music at the Espy. On 20 August 2005, both Channel 9 and Channel 7 evening news reported the Espy’s 100th, claiming that up to 175 musicians could play there in one week and 30 bands could play there on one night.
The following year, The Age EG Music Awards voted the Espy best venue (Gongs strike the right note with local music aficionados, Patrick Donovan, 23 October 2006).
Over the next decade, the Espy stages continued to host live music every night, even as St Kilda continued to gentrify around it.
In early 2014, the Espy Hotel was put on the market, but withdrawn some months later when the owners failed to get their asking price.
Then, on Sunday 17 May 2015, with very little warning, the Espy closed its doors, cancelling performers booked for the weeks ahead.
The Age reported: Grungy St Kilda music venue, the Esplanade Hotel, to close for makeover, Aisha Dow and Allison Warrall, 4 May 2015.
The Herald Sun said: St Kilda's Esplanade Hotel to close for renovations, William Vallely, 4 May 2015.
The major renovations would create new food and beverage spaces including an outdoor terrace on the first floor. However, no planning application had been lodged with Council when the doors shut.
When an application was lodged in August it attracted 28 objections. The Age’s Aisha Dow speculated, on 13 November 2015, whether this was the end of the road for the Espy.
The City of Port Phillip gave the proposed renovations the go-ahead on 9 December 2015. The outcome remains to be seen.
In the meantime, an old sticker from the campaign survives at the corner of Acland and Robe Streets, St Kilda.
In private hands, the Espy is subject to the vagaries of business profits - a fact that was not lost on the Esplanade Alliance during its negotiations with private operators to buy, jointly, the hotel in 2001. Included in its debate at the time were the questions:
What if some unforeseen future events see the hotel not make a profit from its live music incubator role?
What if its ongoing incubator role is only possible at a loss or with further injections of funds?
The Esplanade Hotel (The Espy) has graced St Kilda's foreshore promenade since 1878. For over a century its stages have hosted the finest performers from Australia and the world, none more so than in the decades of the 1980s and 1990s. So, when yet another redeveloper bought the site for a tower dream, concerns over the hotel’s future mobilised a determined opposition.
The cultural response in the late 1990s to the proposed redevelopment of the Esplanade Hotel . . .was the biggest and most decisive in St Kilda’s history. The threat to the Espy mobilised thousands of people across the many successive, but co-existent layers that make up the locality. The campaign was about more than property values and historic preservation. For some people, it was more than just the future of St Kilda. The alternative subculture of the hotel became a metaphor for cultural differences in the face of a market-driven planning process that sees in all urban localities only their potential for recapitalisation. (Kate Shaw, Whose Image? Global restructuring and community politics in the inner-city, unpublished Master's Thesis, RMIT University, Melbourne, 1999, page 168)
Set against a political battle of wills between State and local government for control over planning, the campaign to save the Espy took numerous twists and turns. The six-year battle sustained considerable media interest, attracted wide public involvement, and broke submission records. Most importantly, it introduced into the Port Phillip Planning Scheme, for the first time, an amendment to protect the ‘cultural use’ of a place.
The story of the Espy Campaign has been compiled from public records and private collections with the help of Esplanade Alliance members, staff at the city of Port Phillip archives, and financial assistance from Public Record Office Victoria (PROV) Local History Grants Program 2013-2014, under the auspices of the St Kilda Historical Society.
The project was researched, collated, indexed and written by Krystyna Kynst, Esplanade Alliance founding member and the campaign's communication manager. The archive, which contains 774 items, including press clippings, TV and radio tapes, publicity documents, minutes of Council meetings, correspondence and submissions, was digitised by AMS Imaging in South Melbourne.
However, the biggest thank you has to go to the hundreds of people who propelled the campaign by their enduring commitment to manning street stalls, leafleting letterboxes, putting up posters, signing petitions, writing objections, lobbying politicians, organising fundraisers, donating their musical, artistic and comic talents, preparing submissions, attending Council meetings and VCAT hearings, designing, sewing and selling T-shirts, and more. They saved the Espy.
The story of the campaign, told in the following pages, provides links to selected digitised records. Kindly note: some video and document links may take a while to load, due to size.
The story is also available as an iBook, free from the iTunes store.
1. Espy Hotel threat: Becton buys the Espy 27/8/97
2. The Players: State Government, Port Phillip Council, Esplanade Alliance, Becton Corporation 27/8/97 to 10/10/97
3. The Issues: Design, Heritage, Culture 14/10/97 to 22/6/98
4. Godzilla: Becton's 38-storey vision for St Kilda's Espy 24/6/98 to 23/9/98
5. St Kilda Fights Back: Petitions, objections, meetings, rallies 1/10/98 to 14/12/98
6. Council slays Godzilla: State Government does not call in Council's decision to reject Becton's application 14/12/98 to 22/12/98
7. Gateway to the Bay: State Government tower vision for St Kilda's foreshore 2/3/99 to 14/12/99
8. The Esplanade Hotel Working Group: Council, developer and community debate Espy site height, heritage, culture 17/5/00 to 13/11/00
9. Hotel Rescue: Esplanade Hotel Foundation seeks to separate the Espy Hotel from its backyard development potential, bids to buy it 27/11/00 to 20/8/01
10. Amendment C25: Protecting culture in the Port Phillip Planning Scheme 27/11/00 to 1/11/02
11. Developer strangles the Espy: Becton's development application ignores Amendment C25 and is rejected 12/11/02 to 17/2/03
12. Keep the Espy live: Campaign to save the Espy's live music culture as developer heads to VCAT 18/2/03 to 23/7/03
13. Secret deal sacrifices Baymor: Heritage building demolished to save Espy's music 24/7/03 to 6/8/03
14. VCAT decides: 11/8/03 to 29/8/03
15. Was it worth it?
The campaign to save St Kilda’s Esplande Hotel (The Espy) was sparked by a one-paragraph article - written by John Hurley and buried in the back pages of The Age of 28 August 1997: Becton buys St Kilda Hotel.
The very next morning, a group of residents and Espy patrons met at a St Kilda café to discuss what the transfer of ownership would mean for the future of the much-loved hotel and live music venue, 11 The Esplanade, St Kilda.
It was not the first campaign to save the Espy. In the mid 1980s, a consortium headed by songwriter Mike Brady had bought the pub to build an 18-storey hotel behind it. His vision was defeated when six-storey height limits were imposed on the site, after a very passionate public campaign led by those who considered the pub their ‘lounge room’ and its patrons their community. Brady sold the site to Carlton United Breweries (CUB) in 1995.
By the late 1990s, socially and culturally St Kilda was moving to gentrification, albeit slowly. Rents and house prices were going up, particularly those with bay views. The whiff of money was in the air. (Professor Kate Shaw’s 1999 master thesis Whose Image? captures the changing St Kilda through the 1980s and 1990s – a change she herself witnessed as a resident, a community housing worker and an articulate activist. It includes an excellent analysis of the 1980s campaign to save the Espy.)
The foreshore site Becton bought in 1997 faced the bay. It was dotted with low-scale buildings. In addition to the three-storey 19th century hotel, with three wings, and its adjoining more modern bottle shop, the site included a Spanish Mission block of flats called Baymor Court, old stables and various outhouses at the rear.
Becton bought the site for its development potential and made no commitment to keep any buildings on the site, not even the Espy Hotel.
Becton Corporation was a heavyweight in the redevelopment arena. It was not in the business of running pubs or live music venues. Only two weeks earlier, on 13 August 1997, The Age's Jeanne-Marie Cillento had identified Becton amongst The men who are shaping Melbourne. Becton had seen the future and the future under the Liberal party state leadership belonged to high-rise towers and large developments.
In August 1997, the Kennett State Government was in its second term, privatising public utilities, selling public assets, reforming planning rules, restructuring local government. St Kilda was in its sights. Sale of landmarks on St Kilda’s foreshore Crown Land - Luna Park, The Palais Theatre, Palace nightclub, and O’Donnell Gardens - was on the agenda. The government’s new Victorian Planning Provisions (VPPs) had dismantled prescriptive regulatory devices, such as height controls, in favour of ‘performance based’ criteria. All newly amalgamated local councils had been ordered to revise their planning schemes accordingly. Rather than acting as ‘controls’, proposed height limits were to act as ‘preferred maximums’ that could be exceeded at the discretion of the planning authority.
Contrary to the intent of the VPPs, the City of Port Phillip’s draft planning scheme revision (Neighbourhood Amendment C5) had retained St Kilda’s mandatory controls, including a six-storey limit on the Esplanade Hotel site. This put Council in direct conflict with the Minister for Planning and Local Government, Rob Maclellan. The Minister’s reputation for ‘calling in’ development applications was legendary and his growing dislike of the City of Port Phillip was on the public record. A battle between the State Government and the Council was brewing over who should drive/decide local planning outcomes. St Kilda’s Espy was to become the battleground.
The group who met on Friday 29 August 1997, at the Banff Café in Fitzroy Street, St Kilda, would become known as the Esplanade Alliance. They were long-term residents, who had already fought for more than a decade to preserve the suburb’s social diversity, affordable housing and architectural character against the market forces of recapitalisation. They were mainly professionals, knowledgeable on matters of local government, planning law, design, and media relations. They understood fully that the unprecedented planning reforms being imposed by the State Government were driven by a pro-development agenda. And they understood the threat posed by a large property redeveloper like Becton Corporation. The group moved quickly to establish a public presence even whilst it debated a name for the group and clarified its objectives.
By September 1997 local and metropolitan media were reporting the unfolding saga.
Denis Brown, writing for the Port Phillip Leader asked whether it was Last orders at the Espy? (1 September 1997).
Helen Westerman at the Emerald Hill Times reported: Locals rally to save Espy (3 September 1997).
The Age proclaimed: Espy sails into heavy seas and its journalist, Nicole Brady, wrote “they fear the building will be converted into yet another apartment complex, thus destroying an important live music venue and historic facility in one fell swoop.” (11 September 1997).
And by the end of the year, Channel 7's Today Tonight had run a feature on the campaign to save the Espy. TV and radio news joined in to report various stages of the six-year battle.